Shore Collective

Threads of Time: Industry, Ecology, and the River Bann

15 May – Summer 2026

The F.E. McWilliam Gallery & Armagh City, Banbridge and Craigavon Borough Council are delighted to present Shore Collective’s exhibition Threads of Time: Ecology and the River Bann. Threads of Time is a collaborative, multi-disciplinary art project focusing on the River Bann and its impact on the towns, people and industries around Banbridge and Portadown. Through their art works, the members of Shore Collective explore the heritage of the Bann, from its days at the heart of Irish linen production to its contemporary role in agriculture and the environmental impact of industry.

Shore Collective is an artist-led initiative and group studio based at the heart of Northern Ireland. It was founded by a group of creative local people and brings together artists from across a variety of media including fine art painting, textiles, photography, performance art, music, writing, ceramics and sculpture. With group studio spaces at Mount Zion House in Lurgan, Shore Collective gives artists the opportunity to develop their individual working practice, engage with a wider audience and showcase their work together both locally and internationally.

The Shore Collective members who have contributed to this exhibition are:

Joanna Breen, Dermot Burns, Maurice Burns, Ciara Campbell-Crawford, Tara Campbell, Chris Dummigan, Shaun Fitzpatrick, Eimear Harkin, Caitriona Kearns, Riona Kearns, Louise Lennon, Ciaran Maginnis, Arlene Marks, Kelly McCluskey, Julie McGowan, Kathryn Nelson, Kate Ritchie, Aislinn Prescott, Sandra Turley and Carol Willey.

Shore Collective would like to express their thanks to Armagh City, Banbridge and Craigavon Borough Council for their continued support.

Breathing New Life into Bi-Lateral Relief

At the FE McWilliam Gallery and Studio, we are committed to preserving and celebrating the legacy of one of Ireland’s most important sculptors. As part of the continued development of our gallery spaces, we have undertaken a careful programme of conservation to prepare key works for public display.  When the new Collection Gallery opens later this year, visitors will have the opportunity to experience Bi-Lateral Relief – a significant maquette that has undergone expert conservation by conservator Claire Magill, to ensure it can be safely and beautifully presented for years to come.

Read below Claire’s account of the process…

A Sculpture Reimagined

When visitors step into the new FE McWilliam Collection Gallery, they’ll encounter a striking piece of modernist sculpture – Bi-Lateral relief – standing proud and stable. But behind its poised presence lies a story of fragility, craftsmanship, and meticulous conservation. Since 2011, I’ve worked on an annual rolling program of conserving FE McWilliam’s maquettes and master models, gaining an intimate understanding of his artistic approach, materials, and construction techniques. This experience proved invaluable when tackling one of the most challenging projects yet: preparing Bi-Lateral for safe public display.

The Conservation Journey

Working in close consultation with the curator, Dr Riann Coulter, we devised a treatment plan that balanced structural integrity with showcasing the sculpture in its best light, alongside other large-scale sculptures.

Step 1: Stabilization – A custom steel plate with stabilizing dowels was designed and fabricated to support the sculpture discreetly.

Step 2: Cleaning – Gentle dry cleaning with pony hair brushes, followed by wet cleaning with hogs hair brushes, revealed the original surface beneath years of accumulated grime.

Step 3: Consolidation & Repair – Using 10% Paraloid B72 in acetone, I consolidated fragile areas. Losses were filled with fine dental plaster, then retouched with Golden acrylics to harmonize with the original finish.

Step 4: Documentation – Every stage was photographed and recorded, for future reference.

View video here: https://canva.link/3ksiw43h9721qgk